I have to say I heartily agree, especially with the “most Traveller thing.” Which is funny in a way because if you ask me to point to what Traveller looks like I’m probably going to show you this—the Little Black Books of 1977-1980.
Thumbing through the books I challenge you to find artwork. There is a single black and white drawing of a persons head on page 25 of Book 1 and nothing in Book 2 or Book 3. Even the box back only has a single, somewhat abstract, image of a soldier firing a weapon. The next picture is that of a “Mercenary Striker” in the front of Book 4 Mercenary. Even Book 5 High Guard has no images. Those iconic Traveller ships like the Free Trader (which I swear I saw in Foundation Season 1 Episode 1) don’t appear until Supplement 7 Traders and Gunboats in 1980.
For a while it looked like Traveller was going to be a Star Wars knockoff. Look at the box art for the 1981 wargame Invasion: Earth with what looks something like an Imperial Star Destroyer on the cover. Fortunately, Traveller never became a Star Wars or Star Trek RPG, both of which have their own distinctive and iconic visions.
Since the 1980’s, and especially with the rise of the internet, there has been moreTraveller RPG artwork. Much of it revolves around starships. In the early 1980’s it was black & white artwork in the pages of new supplements or adventures or the pages of The Journal of the Travellers’ Aide Society or Challenge magazine. Marc Miller’s Traveller (Traveller 4) used Chris Foss artwork with little success.
The computer graphics artwork of Andrew Boulton, though primitive compared to today’s computer graphics, was “right” in the vibe it communicated.So sad he left us so early…
The modern work of Ian Stead has graced the pages of many Traveller products in recent years and more than a few feel he has captured the vibe of Traveller the best since those early days. But, like so much of that early art, it is almost exclusively focused on the ships.
Marc Miller himself has two more recent visions of Traveller. The first is expressed in Traveller 5 which is sparsely illustrated using mostly recycled artwork from previous editions. Then there is his book, Agent of the Imperium, which has no illustrations at all and cover art that is…questionable.
It’s in your head…
Such is the power of the Traveller RPG— the game creates in many minds a vast, sweeping vision with relatively sparse artwork. What I’m hearing is that Traveller RPG created, in many minds, the vision of a vast empire spanning from a long dynastic center to a very unsettled frontier. This despite a majority of artwork that is of ships—not imperial palaces or emperors or harsh frontiers.
What’s most incredible is that very “in-your-head” vision is being “found” onscreen in the Foundation TV series. Take note that starships are NOT a prominent feature of the first three episodes of Foundation; they appear but are very much “background” whereas Traveller RPG tends to put starships in front. Traveller RPG delivers a vision of an entire universe without the need for lots of artwork because it stimulates the mind. That many seem to find Traveller in Foundation is in reality incredible praise for the Marc Miller and his vision expressed in plain text over 40 years ago..