For most of the campaign, Guadalcanal was a contest of equals, perhaps the only major battle in the Pacific where the United States and Japan fought from positions of parity. Its outcome was often in doubt. – James D. Hornfischer, Neptune’s Inferno, Prologue.
From the perspective of game mechanics, Tokyo Express: The Guadalcanal Naval Campaign, 1942 (Victory Games, 1988) can be a real chore. This solitaire game leverages a heavy workload on the player to not only make decisions for their own side, but also to run the opposing AI. However, once you make it past the initial (steep?) learning curve, the game opens up a narrative battle experience unlike so many others.
In a way it is unfair to call Tokyo Express a historical game. Yes, there are scenarios that replicate the starting conditions of many battles, but the real power of Tokyo Express is how it make the unknown a part of the game and forces the player to deal with it. What may be the two most important rules in Tokyo Express are not what many grognards would think. Rule 6.0 Detection and 7.0 Japanese Hidden Forces are the parts of the game that make the narrative come alive.
Before you can open fire, you must see the target. That is the crux of 6.0 Detection. Be it visually or by radar, the importance of detecting the enemy first is a core game mechanic in Tokyo Express. When taken in combination with 7.0 Hidden Japanese Forces, the game creates it own unique narrative of battle ensuring that no two games are ever alike. The Design Note for 7.0 actually frames the entire game and brings the drama of the battle to the forefront:
The game begins with you patrolling Ironbottom Sound, looking for the Japanese who are somewhere off in the darkness. The Japanese appear initially as blips on your long-range search radar. Hidden forces represent anything your radar operator thinks might be a Japanese force. Sometimes it will indeed be warships; other times it will just be a “radar ghost.” You find out by detecting it.
In Tokyo Express, game designer Jon Southard captures the most important elements of the naval battle around Guadalcanal. In his Design Notes he makes no excuses for the difficulty of the game. In some ways Mr. Southard was ahead of his time when he designed Tokyo Express to be an “experience” and not a “simulation.” He especially makes no excuse for the difficulty of winning:
In your initial encounters with Tokyo Express, you will, I hope, feel some of the frustration and awe the American admirals did. The objective throughout the design process was to give you their bridge-eye view. You may be defeated at first, but you should find your own solutions, as the US admirals finally did.
By making its core design feature “find your own solutions,” Tokyo Express takes what many wargames do, challenging players to find a path to victory, and elevates it to the highest levels of the hobby. It is a testimony to the power of his design that 30 years after its initial publication the title is worthy of a reprint. Pairing this game with James D. Hornfischer’s Neptune’s Inferno: The US Navy at Guadalcanal (Bantam Books, 2011) allows one to not only read the history, but then take the same human drama Hornfischer relates and make it come alive.
Featured image courtesy BoardGameGeek.
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