To many sailors, every ship has a personality. When I deployed aboard the aircraft carrier USS America (CV-66) during the Gulf War, the ship had a bent shaft that vibrated at higher revolutions. Just before the Gulf War, all the water fountains (“bubblers”) had been removed and we deployed without all of them reinstalled. When we ate chow, we often placed a glass of water in the middle of the table and noted how much jet fuel “skim” there was at the top when we finished eating. It’s no stretch of the imagination to say that USS America was “quite the character.”
The Traveller Roleplaying Game taught me that ships are systems, and while they may have quirks, they are engineered. Not every roleplaying game uses that same engineering approach. My first real encounter with “ships as characters” was Battlestar Galactica – Role Playing Game from Margaret Weiss Productions (2007). Coming forward to 2021, The Expanse Roleplaying Game, treats ships like characters. I often struggle with myself in trying to rectify these two different approaches to ships in roleplaying games—the system-engineer player vs. the narrative player.
Ships in The Expanse Roleplaying Game are described with just a few characteristics; Size, Drive, Sensors, Weapons. This is followed by Qualities and Flaws. One doesn’t “build” a ship as much as one “describes” a ship in The Expanse RPG. That’s an important point to remember as one looks at what Ships of the Expanse brings to your game.
For myself, I bought Ships of the Expanse because I wanted more ship construction rules, more combat rules, and some ship examples to inspire me. This is how Ships of the Expanse describes itself:
Ships of the Expanse offers an in-depth look at spaceships, ships, combat, and life in space in the universe of The Expanse. The ships and rules herein describe ships and technology roughly up to the beginning of the novel Nemesis Games…This book contains several new rules; ship qualities, stunts, ship maneuvers, and more.
Ships of the Expanse, Introduction and How to Use This Book, p. 3
Ships of the Expanse is 144 pages long and divided into four major chapters, “1. The Shipyard,” “2. Ships in Action,” “3. Shipboard Life,” and “4. Spaceship Specifications.”
What immediately struck me when reading the 24 pages of The Shipyard in Ships of the Expanse was the overall lack of ship construction rules. To me, the 3 pages of Qualities and Flaws and 4 pages of Ship Rewards (~5% of the total book) constitute the entirety of the “new” ship construction rules. The balance is background material on shipyards and shipyard life.
Ships in Action
Ships in Action is 20 pages of the Ships of the Expanse book. The majority of the chapter is given over to operating ships and hazards; new combat rules are the 3 pages of Stunts and 2 pages of Ship Maneuvers. Five (5) pages, or ~3% of the overall book.
Ahh, the life of a sailor. The Shipboard Life chapter of Ships of the Expanse is 23 pages long and, again, has lots of information on living aboard a ship and various challenges. There is alot of setting-appropriate information here.
This chapter of Ships of the Expanse starts off with an interesting 2 pages where how to buy a ship is discussed. Bottom line – it’s really expensive. I guess this is in keeping with the setting where you see very few personal ships. What follows is a long (72 pages or ~50 percent of the book) section with specifications, deck plans, and background on many different ships which is what I guess I wanted…
Flip (pages) and Burn (your brain)
I guess by my own expectations I should be happy with The Ships of the Expanse because over half the book is “what I wanted.” Well, yes, but. While the (many) ship descriptions are welcome, the many deck plans here suffer from the same problem so many ship books suffer from in this digital book world—how can I use them? I also have to ask myself if the other 12 pages of ship construction and ship combat are really worth it.
By my rough numbers, 42% of Ships of the Expanse is not really useful to me. Honestly, that’s a bit of an unfair statement. Forty-two percent of Ships of the Expanse was not what I expected. So why does it bother me? Arguably, that 42% is the “in-depth look at spaceships, ships, combat, and life in space in the universe of The Expanse” that the introduction proclaimed.
I think what bothers me most about Ships of the Expanse is the same thing that bothers me about The Expanse RPG in general. It’s too preachy. Throughout the core rule book and now this expansion, there is plenty of exposition on the science behind The Expanse. I am not sure this is all totally necessary. I mean, The Expanse RPG is based on a popular intellectual property and I feel that if you play The Expanse RPG you are likely familiar with either the books or TV series. That familiarity brings with it certain “expectations” and player knowledge.
Ships of the Expanse is the type of source book I expect a GM to read. There is nothing in here that players cannot read, but how many of them will? As a GM, Ships of the Expanse offers many inspirations to use during adventures. For players, there are a few new rules but the rest of it is kinda a “Standard Operating Procedures” that you should understand/follow lest the GM let you walk out an airlock without a vacc suit.
Then again, that’s the sort of thing you just might want to do in an adventure of The Expanse RPG. I’m not sure if all the science exposition in the books help or hinders that sort of adventuring.
At the end of the day, for myself I don’t necessarily feel that Ships of the Expanse is a must-have expansion. Maybe that’s because I am comfortable with the setting and especially the science behind it. Maybe players and GMs who love the adventures of The Expanse but don’t really grok the science behind it need this sort of help.
I was but a wee lad, a bit less than 10 years old when Space: 1999 burst onto my TV screen (and it was a small screen, still black & white). Space: 1999 was cool—cool spaceships (Eagles forever!), cool uniforms, and cool science (not that it all made sense to young me). I took in the first season and remember being absolutely frightened out of my skin at the episode “Dragon’s Domain.”
I also remember being so confused at the second season of Space: 1999 with shapeshifting aliens and…well, better to forget that season.
So I did. Ever since then Space: 1999—Season 1 at least—continued to exist somewhere in my headspace. It helped that I had a few Space: 1999 toys like a die-cast Eagle and several models. In more recent years I “rediscovered” Space: 1999 and added UFO to the lore as well as the graphic novels. The RockyMountainNavy Boys helped me find new plastic models and kept my memories alive.
Breaking Down the Breakaway Manual
Moonbase Alpha: Technical Operations Manual is a 272-page book formatted in a 9.5″x12″ hardcover. The cover illustration is a faintly lined Eagle Transporter that I wish was a bit easier to see. Inside, the Manual is organized into seven major sections (chapters):
Internal Layout – Covered in 73 pages (~25% of the Manual) this is a great mix of set photos and illustrations; many details I never noticed in the series
Nuclear Waste – At first I was like, “huh?” but after reading I better understand why this essential story element gets the attention it does
The Eagle Transporter – In many ways I love the Eagle Transporter over Star Wars vehicles and this chapter reminds me why (it also gives me details to help me paint up my other MPC model of the Eagle Transporter)
Supplementary Craft – Much more here than I remembered; give me the Hawk Mk IX for the win!
Uniforms & Equipment – What good sci-fi fan of the 1970’s didn’t have a jacket that looked a bit like one from Moonbase Alpha?
Current Command Roster – Only later did I learn about how the production company, ITV, used international stars; I always though that Moonbase Alpha was simply “international” much like Star Trek was.
There are also two major Addendums covering “Alien Technology” and “Emergency Evacuation Operation Exodus.” Buried within individual chapters are other addendum boxes of relevant subjects.
[Warning – Spoilers Ahead] Sometime in the past decade I became aware of the connection between the TV universe of UFO and Space: 1999. I was really excited to see some connections in the Technical Operations Manual. What I appreciate the most about the connections is the secrecy; there are little references to UFO in the Manual like “the Straker Doctrine” but as a whole UFO is treated as, well, a secret. There are other nods too but I’ll leave those for you to discover on your own.
Generally speaking, my personal experience with “in-universe” background books based on pop culture intellectual property (IP) is mixed. In order to enjoy many IP-based productions I have to really, and I mean really, suspend my disbelief. Books like Star Wars: The Essential Guide to Warfare (Jason Fry, Ballantine Books, 2012), which as a military veteran and wargamer I should have wholeheartedly embraced instead helped me realize that I am a science fiction fan that hems more towards “gritty” or “hard” sci-fi rather than “space fantasy” like Star Wars. All of which is a round-about way of saying the Moonbase Alpha: Technical Operations Manual is much more “believable”—and enjoyable—than I expected.
Roleplaying Space: 1999
As I also play science fiction roleplaying games (RPG), “in-universe” books like this Technical Operations Manual serve as a great source of gaming inspiration. I have played the Traveller RPG (Marc Miller, Game Designers’ Workshop, 1977) since 1979 and science fiction RPGs are definitely my thing. As I look across my science fiction RPG collection, there are several different game systems that are candidates for use in a Space: 1999 RPG. Generally speaking, I look at each set of rules from the perspective of character generation, technology, and narrative support (story generation) when looking at how they might be used to create a Space: 1999 game.
Characters – When creating a character, most systems I am familiar with use careers. Moonbase Alpha is staffed by departments which might be a good starting point. The Manual tell us the different compartments are Command, Main Mission, Services, Flight, Technical, Medical, Science, and Security (pp 209-210). We also can see in the series the Space Commission (Politician?). If we expand our “canon” to include the 2012 Archaia Entertainment graphic novel Space 1999: Aftershock and Awewe also find other “careers” like the United Nations Coastguard using Eagle Transporters.
Technology – Space: 1999 is a near (alternate) future heavily grounded in technology we would recognize as our own. The major handwaves I see are nuclear fusion rocket engines, artificial gravity, and a hyper-light drive.
Narrative Support (Story Generation) – Although Space: 1999 the TV series was of the “adventure of the week” kind, different episodes covered many different genres and adventure types. A Space: 1999 RPG needs to be able to handle a wide range of story lines, from military to exploration to horror and more.
Characters – No single rules set has the right combination of careers to represent Moonbase Alpha staff, but by synthesizing careers from Cepheus Deluxe, The Clement Sector Third Edition, and Hostilea fairly representative collection of careers and skill could be assembled.
Technology – Using Cepheus Deluxe, the “average” Tech Level (TL) is 8 to 9. To create the spacecraft of Space: 1999 will likely be a kludge of Cepheus Deluxe and Orbital: 2100 rules for sublight craft.
Narrative Support (Story Generation) – Cepheus Deluxe does not focus on a single genre of science fiction so it should be flexible enough to cover a diverse set of adventures.
Characters/Technology – Star Trek assumes the characters are in the service after attending the academy and served prior terms to gain experience and rank. The various Departments in Star Trek map directly to Moonbase Alpha Departments though the skills will be different because of the different technology assumptions.
Narrative Support (Story Generation) – Like Space: 1999, episodes of Star Trek (The Original Series) were episodic. The game system is capable of handling most any genre, but is highly dependent on Game Master preparations.
Characters – The Babylon Project uses a concept-driven character generation system. Using the roster in the Manual, it’s possible to map most any character in terms of the Attributes/Skill/Characteristics which can be a good example of how to make a Moonbase Alpha character.
Technology/Narrative Support (Story Generation) – Technology takes a backseat in The Babylon Project. Instead, story comes to the front. Much like Babylon 5 was one of the first TV series to do a story arc, The Babylon Project gives advice on how to do the same for your adventures.
FATE Core (Evil Hat Publishing, 2013)
Another rules set that is a candidate for Space: 1999 is FATE Core from Evil Hat Productions (2013). FATE Core claims the game, “works best with any premise where the characters are proactive, capable people leading dramatic lives” (emphasis in original). Character generation in FATE Core is not a lifepath or point buy system, but rather “concept” driven which I find a bit harder to imagine. The core mechanic, using FATE dice, is also more suited to “pulp” gaming than gritty or hard sci-fi. Technology is what you make of it.
Characters – Character generation is a form of point-buy built around archetypes. The generic career list would have to be tailored, but there are many examples in the various Star Wars Roleplaying Game books to draw inspiration from.
Technology – Technology is again what you make of it. Unlike Cepheus Deluxe which tends to portray technology in “harder” sci-fi terms, in Genesys technology is there to aid the narrative.
Narrative Support (Story Generation) – Genesys is a highly narrative game system that again is suitable for many different genres of play.
The Expanse Roleplaying Game (Green Ronin Publishing, 2019)
Another “generic” system that may prove useful is the CORTEX: Game Handbook (Fandom Tabletop, 2021). CORTEX comes in several flavors and different versions have powered the Serenity Role Playing Game (2005), Battlestar Galactica Role Playing Game (2007), Smallville Roleplaying Game (2010), Marvel Heroic Roleplaying Game (2012), and Firefly Role-Playing Game (2014). The CORTEX Prime System described in the CORTEX: Game Handbook is highly modular and tailorable to genre and setting.
Characters – CORTEX Prime characters come with three Distinctions (Background, Personality, Role) and then a “Power Set.” Looking across the options, I feel a Power Set combining the Classic Attributes (Agility, Alertness, Intelligence, Strength, Vitality, Willpower) with “Roles” based on Department assignments may be a good starting point.
Technology – There are plenty of examples of how to define a piece of technology in the other CORTEX rule books.
Narrative Support (Story Generation) – The different flavors of CORTEX can support different genres of adventure; CORTEX Prime attempts to synthesize those different play types under one rules set.
This year I dabbled a bit into role playing games (RPGs). As my forthcoming accidentally already posted 2021 “By the Numbers” post shows, I acquired 20 RPG items in all the year. Six (6) of those were core rule books, but only five (5) of those were from the past year (with four of those published in the last two months of the year!). Thus, the candidates for RockyMountainNavy’s 2021 RPG of the Year are:
This one was very hard to decide. ALIEN got lots of attention this year but it just really isn’t my thing. Mongoose’s Traveller: Explorer’s Edition is more a player aid than a core book. Which leaves the Cepheus Engine (CE) games.
Cepheus Deluxe is the latest, well refined version of the CE rules. Clement Sector is an excellent space opera setting and the new Third Edition brings so much of the material together it literally has become a one-stop guide to the entire setting. The HOSTILE Rulebook is another one-stop guide but focused on a gritty sci-fi setting.
To be honest, in terms of rules there is nothing really “new” in the HOSTILE Rulebook. One could make the argument that it really is the ALIEN setting with the serial numbers (and much of the horror) filed off. What I like about the HOSTILE Rulebook is how the simple was repackaged into a very thematic setting.
I have a soft spot in my heart for science-fiction tabletop roleplaying games. My first RPG ever was the Little Black Books of (Classic) Traveller back in 1979. More recently, Green Ronin Publishing kickstarted The Expanse Roleplaying Game: Sci-Fi Roleplaying at Humanity’s Edge in 2018 that delivered in 2019. At that time I passed on it but recently I acquired a physical copy of the hardback edition.
During the Kickstarter campaign for The Expanse RPG I looked at, and was turned off by, the artwork. I also was not sure of the core mechanic (Green Ronin’s Adventure Game Engine – AGE). Now that I have the product in hand, what do I think?
When I look at The Expanse, I see a space opera-like story with some hard-ish science-fiction behind it. My expectation from an RPG using The Expanse as a setting is that is should enable the players and GM to create drama but not in a manner that is too disconnected with reality. Where handwavium is used, it must be plausible given the conditions of the setting.
My first introduction to The Expanse was via the TV series. During Season 1 I picked up the books and started catching up by “reading ahead.” Although I like the TV series, I am a book reader at heart and will always take the book version of a setting over a TV interpretation any day. Therefore, I was very excited to see that the authors of The Expanse were part of the making of this RPG. Daniel Abraham and Ty Franck (together known as James S.A. Corey) are credited with “Development and Story Consultation.” They also contributed the short story that opens the RPG book. In terms of spoilers, the default setting for The Expanse Roleplaying Game is the period between the first and second novels of the series.
[Interestingly, in all the references to The Expanse Fiction in the RPG there is no mention of the TV series. Looks like a separate licensing agreement? This doesn’t bother me as I am personally a fan of the earlier books in the series but I can see how some rabid fans of the TV series may be upset.]
The Expanse Roleplaying Game book is a hefty 256-page hardcover in full color. There is lots of material here and the format is very busy. I’m glad I got this as a deadtree product because looking at the pages and thumbing through an ebook would be very challenging for me unless it is very well bookmarked.
I previously complained about the artwork in The Expanse Roleplaying Game. My opinion has not changed but I better understand my reaction now. It’s the people. I just cannot connect with the characters shown in the book. Maybe I’m letting the TV series actors influence my expectations too much but even when I recognize that bias and try to look at the character art with that consideration in mind they just don’t work. At the end of the day the character images used in the book are so different are just not The Expanse-like to me.
Setting the Scene
I’ll just go ahead and stipulate that, given the intimate involvement of the series authors in this project, The Expanse Roleplaying Game has all the juicy world-building details a GM needs (and the players want?) to create a story set in The Expanse universe – of the books. A reminder that the default setting is the time between the first and second books (Leviathan Wakes and Caliban’s War).
The MEchanics behind the story
Given that The Expanse Roleplaying Game has all the needed settings material, my real test of the game is how well the core mechanics and supporting rules create a play experience that I feel fits the setting.
Coming of AGE
The core mechanic in The Expanse Roleplaying Game is Green Ronin Publishing’s Modern Adventure Game Engine (AGE). AGE is built around a basic Ability Test resolved by a 3d6 die roll:
TEST RESULT = 3D6 + ABILITY SCORE + 2 FOR ABILITY FOCUS (IF ANY) vs. [(Target Number (TN)) or (Opposed Test)]
The number to beat in the Ability Test is usually set by a difficulty ladder. The TN of an Average test is 11. This quite literally means that a test with the usual “hero” character +1 Ability level will PASS the test 50% of the time. When rolling your 3d6, one die must be different from the others. This is the Drama Die which helps measure degrees of success and can activate Stunt Points (SP) – but only on successes.
When making an Ability Test in The Expanse Roleplaying Game, if the test roll includes doubles the player gains Stunt Points (SP) equal to the Drama Die. Each different encounter type (Action/Exploration/Social) in The Expanse Roleplaying Game has its own suggested set of Stunts which is the “flair” of your actions. There are many different classes of Stunts for each encounter type and more than a few stunts for each class. There are so many here that the GM will be challenged to keep track of it all; for the player’s it may be all-but-impossible. The extensive listings also seemingly encourage a “menu selection” approach to play. I would much rather see some guidance to the GM and players and general costs (or ideas) and let character roleplaying define a stunt instead of giving a pick ‘n choose menu that in my mind diminishes narrative agency.
The other major character resource in The Expanse Roleplaying Game is Fortune. Luck is expressed in the game by that Fortune score; the more Fortune the more luck the PC has to change or influence the outcome of events. Fortune can be used to change the results of a die roll or even avoid damage. Fortune regenerates (slowly) between encounters and needs an Interlude (longer downtime between game sessions) to reset completely. Indeed, Fortune is probably the most powerful narrative-altering device in the player’s kit bag.
Buried way back in Chapter 12: Game Mastering of The Expanse Roleplaying Game is an optional rule called The Churn. It’s really sad that this concept is buried deep in the book and then presented as an optional rule because The Churn goes a long way towards making an adventure in The Expanse Roleplaying Game more thematic. The Churn is a track the GM keeps to show when the fickle hand of fate intervenes. At the beginning of an adventure The Churn pool is ‘0’. As events happen The Churn builds until it boils over into a game effect. Some might say The Churn robs the GM of plot control but I see it as a guide (and challenge) to the GM to move story along, sometimes in an epic change of direction.
Interestingly, although The Churn is described as an optional rule, the associated tables are prominently placed on the GM Screen. It’s as if Green Ronin is telling us we should be using The Churn although the rules seemingly tell us not.
In terms of “crunch,” I would call AGE “medium-heavy” for me. It is far cruchier than my beloved Cepheus Engine and relatively comparable to the Fantasy Flight Games Star Wars Roleplaying Game (GENESYS) or Cortex Prime (especially as used in Firefly Roleplaying Game) although with less narrative control by the player than either of those two systems.
Who Are You?
Character generation in The Expanse Roleplaying Game is done using a ten-step outline. This is a concept-driven design process; you decide at the beginning what you want and then tailor your character to get the desired result. At first I was worried that this process was going to be too player-directed and subject to min/maxing of characters. In reality, I discovered the system strikes a good balance between player desire and random chance.
The AGE system defines characters through nine abilities. The score for each ability ranges from -2 (quite poor) to 4 (truly outstanding). The book goes out of its way to say that a score of 1 is “average” for characters but everyday individuals are 0. As a long-time Traveller RPG player where characters are often “ordinary sophonts thrown into extraordinary situations” I’m not sure how I really feel about “special” characters.
For my first character in The Expanse Roleplaying Game I decided I wanted to generate a captain of a small subsidized freighter that moves about the Belt. Here I step through the 10-step process:
Goals and Ties (Player driven) – Short Term > Move to better ship, Long Term > own ship. Ties – ??
Name & Description (Player choice) – Chester “Chessy” Smith
Generally speaking, I am pleased with the result. I certainly generated my Subsidized Merchant Captain, but the process also created more than a few hooks that I as a player (or the GM) can build on. What makes a middle-class academic turn outsider?
One aspect of character generation in The Expanse Roleplaying Game I find very interesting is Step 7: Income and Equipment. Characters do not track money in credits, but instead use an Income Score that shows a relative financial condition. When combined with the rules for income and lifestyle it is possible to put the “cost of living” into the game and make it a contributing narrative element of the story.
Although the character generation process in The Expanse Roleplaying Game is not super complicated, I would have liked to see a beginning-to-end example. I also am very interested in how the iconic characters were created because as an AGE system neophyte I easily see how the stats presented came to be. It would be very insightful for the authors/designers to show their work here.
What is The Expanse without Rochinante? Ships are just as important as any character in The Expanse, and The Expanse Roleplaying Game gives spaceships its own chapter. The chapter starts out with a science lesson on space travel in The Expanse.
Note I said science lesson, not rules.
I know, even Classic Traveller used a few formulas, but in The Expanse Roleplaying Game at this point we learn all about motion and velocity and the handwavium science of the Epstein Drive. There is also a discussion of Hohmann Transfer orbits and Brachistochrone Trajectories and….
When I said I was looking for a “hard-ish sci-fi” setting I did NOT mean to give me a course in astrophysics. It is not until we get six (dense) pages into the chapter that we get information useful for PLAY. Table 2: “Average Communication Time Between Locations (In Minutes)” and Tables 3A-3D: “Average Travel Time Between Locations (At XXG) (In Hours)” is finally something that has real relevance (and use) to the players and GM.
The next section of the chapter describes space ships. The Expanse Roleplaying Game uses the tried and true “ships as characters” approach to ship descriptions. There are no ship construction rules in the book; that’s coming in a future expansion. What surprised me the most is there is no Rochinante described here. I’m guessing the Frigate on page 126 could stand in for the Roci, but given the Roci is part of the book could Green Ronin not have included some sort of Roci ship referenced as such? Sigh….
The adventure included in The Expanse Roleplaying Game is a good example for the GM in the how Parts, Scenes, Encounters and Interludes all come together to make a story. Too bad it’s nothing more creative than a dungeon crawl in space.
My Story vs. Canon
One worry I always have about licensed IP games is the inevitable canon wars. I’m very happy to see The Expanse Roleplaying Game address this head-on in Chapter 15. This chapter provides many different ideas for running a multitude of different types of stories. It even encourages the GM and players to go “beyond canon” where they see fit. Not that I was not going to make any game my own; it’s just good to see the authors encouraging creativity beyond the bounds of the published IP.
The Expanse Roleplaying Game is clearly aimed at Detailed Role Players – those who want to deeply explore the motivations of their characters. The rules are far too heavy for Social Role Players to pick up (or even play with no familiarity). There is little-to-no rules that support a Systems Engineer Role Player – the world building here is basically done for you.
The problem I have with the rules in The Expanse Roleplaying Game is that, after playing around a bit and running some shadow adventures, the core mechanic just doesn’t seem dramatic enough. The Ability Tests seem too formulamatic (and far from dramatic). The menu of Stunts encourage PBM (Play-By-Menu) and actually reduces the narrative drama of play. Being able to call upon Stunts only when successful also seems to take away the “narrative of loss” by which I mean being able to narrate failure is just as dramatically powerful as narrating success. This is why I believe the narrative dice in Fantasy Flight Games Star Wars Roleplaying(aka GENESYS) are so awesome; rolling Despair is just as narratively powerful as rolling a Triumph. I also feel the Fortune pool is just too big. In other systems the economy of Fate Points or Plot Points or Lightside/Darkside Points is tight and their use has a palatable value. Calling upon them is a major dramatic moment. In The Expanse Roleplaying Game when even Thugs have over a dozen Fortune points it just feels so non-dramatic. Is this simply a symptom of low level characters or is the core mechanic truly that sad?
At the end of the day, I am going to give The Expanse Roleplaying Game a hesitant, if not very reluctant, thumbs up. I think the game does a good job of creating a setting and rules that players who love The Expanse can play around in and feel “at home.” I’m a bit hesitant to go all-in because the rules seem a bit too heavy in places and more complex than they maybe need be. I also worry about the balance between narrative and “menu-driven” play the rules are built upon. Maybe as I play around with the rules more they will ferment a bit and become better with age.
I am really looking forward to getting the last few games mailed in 2020 to the gaming table. That is, once they arrive. Kudos to the US Postal Service for the 18th century service! I mean, my C3i Magazine Nr 34 with designer Trevor Bender’s Battle for Kursk is ‘only’ on day nine of the 2-8 days expected delivery with a present status of “In Transit” but unlocated. Then there is my Buffalo Wings 2 – The Deluxe Reprint (Against the Odds, 2020). The good folks at ATO, recognizing the mailing mess, sent all the packages by 2-day Priority Mail but the USPS was so helpful they let it sit for the first THREE days at the initial mailing point with a status of “Shipment Received, Package Acceptance Pending.” I know; First World Gamer problems and all those that ship international ain’t impressed!
Without new games I went to the shelves and pulled out an old game that I recently acquired but had not played. Harpoon Captain’s Edition bills itself as, “fast, simple, and fun to play.” Six hours and 16 (!) scenarios later…well, you’ll have to wait a few weeks and see what I thought.
By the way, playing Harpoon Captain’s Edition 16 times now “officially” makes this game the most-played wargame in my collection since I started (sorta) keeping records in 2017.HCE is just ahead of Enemies of Rome (Worthington Publishing, 14 plays), Hold the Line: The American Civil War (Worthington Publishing, 12 plays), Root (Leder Games, 11 plays), Table Battles (Hollandspiele, 11 plays), and Tri-Pack: Battles of the American Revolution (GMT Games, 10 plays).